5D II 24p Firmware is out. What does this mean?

When the 5D II first came out, it was revolutionary, offering full HD video at 30fps. While this was certainly an amazing concept, the execution itself wasn’t spectacular by any means. Why? Because while the 5D II did 1080p video, it did not follow the standard frame rates for video, nor the sampling rates for audio. In fact, it didn’t even allow manual exposure settings for video. This of course was later fixed, and led to speculation.

For the first time, Canon didn’t just tweak the settings on a camera with a firmware update, they actually enhanced the camera. But after updating the 5D II to allow manual exposure, they still had a lot to do. And today, finally, it seems they’ve done it.

So what’s the big deal with the new firmware? Hit the jump to get a simple explanation of frame rates and audio samples, as well as the complete list of firmware changes. But if that sounds all too boring, feel free to just click here (scroll down, hit “I Agree”) to get the firmware and be on your merry way! [Read more →]

The D3s is for real

D3s

1/1000th, f/4, ISO 4000, D3s and 200-400 f/4.

Just a quick post. I received my D3s yesterday.  Merry Thanksgiving!

Today I shot the ASU vs U of A game, and it was the perfect storm of circumstances that let me shoot the D3s under several scenarios. The game was in full daylight, then got cloudy, then it started to rain, then hail. Lights were on (even in daytime) and as the clouds and rain and darkness took over, I ran the gamut from Auto everything (ISO, WB, etc) to full manual. I full expected it to outdo the D3 as far as high ISO capability, and it did. Handily.

ISO auto worked as well as it did on the D3. I rarely if ever use Auto WB, but the mix of stadium lighting, mottled sunlight, direct lit to overshadowed field, let’s just say I was hoping Auto WB would do ok. And it did. But just ok.

Oh and weather sealing was excellent. Once it started to rain and hail, I figured I’d test that out. Just in case I asked another long time Nikon user if their weather sealing was any good. He affirmed, and I held steady and shot in the rain. The D3s didn’t skip a beat, but I also had a D3 on my shoulder and that took the rain well also.

I loved the new histogram. You can zoom into a part of an image and it will give you the histogram for that area only.

My full take on the camera and its features will come later on. I’m hoping to shoot at the fringe of available light (12,800 to 25,600 and beyond!), and perhaps shoot a video interview with it. While I can say with confidence that I’m happy with the D3s, I really want to test it out more for a full write up.

The Lord of the Cameras: The Two Manufacturers

So in quick response (not even a week later) to the Nikon D3s, Canon reveals their 1D IV. Much like Nikon, the big news is the ISO range (100-12,800, with 50-102,400 extended). The body and frame rate stay about the same. They do up the megapixels to 16 (not a bad move but not a great move either), add in 1080p (love that, but wish the camera were full frame), and other refinements.

It sounds good. But so did the 1D III, which hasn’t faired so well for Canon.

Continue after the jump, and you’ll get some links to more info and specs, including some videos on the 1D (boring, except for the fact that you might recognize the host if you were at all interesting in throwing a Microsoft Windows 7 party. That’s right. . . a party for an operating system), and more importantly a video made with the 1D.

And of course you can find all this on the net. Most likely you will find them before you find me. But if you found me, you’ll also get my take on both camera systems. Of course, all this is speculative since I don’t own either of the new cameras, just a few of the older 1D III’s and D3′s.

More after the jump (and I mean a lot more. I wrote way too much). [Read more →]

I predicted 102,400 ISO. In 2011. Was off by a year.

So here’s what I wrote when the 5D II came out:

We laugh now, but wait til we hit 2011 or so, and ISO 102,400. At some point the ads will just start saying that we can shoot under any lighting circumstance. Like during a power outage with no moonlight. Or black holes. Ok, I’m getting silly (until 2011).

Ya, so apparently Nikon decided that we couldn’t wait for the new decade, and just released this in time to put it on your Christmas list.

I would love to say that this is the perfect camera, but I can’t. Damn close though. More after the jump, including links and my take on it. [Read more →]

Canon 5D II: Roundup of links

The moon is now full. Canon had a teaser site, with the moon slowly revealing a new camera body. Rumors and speculation all talked about it being the new 5D II (or 7D, or fabled 3D). Well, the moon is now full and the 5D II has been revealed.

In this quickie article (Its 11pm, after all), I’ll do a roundup of links to some specs and a forum or two, and my thoughts on it. Oh and Canon’s also released an updated lens, the 24 1.4 II, as well as announcing a few new P&S cameras, including the G10 (an update to the very cool G9), and others. [Read more →]

Flight of the Photographer

Anytime I fly, the biggest question I have is: What do I take? Well, here’s a little snippet of what’s to come tomorrow.

airportbag

Remember the Minitrekker Video? Well that up there is an Airport Security bag, by ThinkTank Photo. And surprisingly, when it’s closed, it doesn’t bulge at all. But if a picture is worth a thousand words, what’s a video worth? [Read more →]

Setting Up a Camera Remote: The Video

shawn marionRemote cameras open up a lot of possibilities for photographers. Whether you want to capture a moment from two different angles, or with two focal lengths, remotes can provide us with images that otherwise wouldn’t be possible for us. But, for the most part, remotes are thought of as a difficult task, and so we think remotes are only for magazines like Sports Illustrated or ESPN the Magazine. They’re not.

While covering a game between the Phoenix Mercury and Detroit Shock, I did a video segment on remote setup basics. It’s easier than you think, so read on, and check out the video. Before you know it, you’ll be able to set up your own remotes. [Read more →]

What Would PShizzy do? June 11 2008

From Zander, on FredMiranda.com:

Thanks for taking time to do this, I really appreciate it.
Right now I have:

  • 20D, nearing the 50k shutter count.
  • 28-105 3.5-4.5
  • 50 1.8
  • 70-200 2.8

My budget is roughly $2200. I could come up with a few extra hundred dollars if needed. I use my 70-200 by far the most, and often it is not long enough. I was thinking that I would pick up the 300 f/4 non-IS to cover the longer focal lengths. [Read more →]